
April so far, is following the trend set by March, unseasonably dry and warm days with little in the way of rain. Trees in pots awaiting new homes are being checked and watered almost daily. A sack of wild garlic, brought home from a garden where it grows thick as grass, has been scattered and planted beneath the Red alders that shelter the rear garden from the worst of the westerlies. The ground was like dust, once planted, a hose at full stretch with the jet at full power, just managed to reach them.

Despite the warmth, gardening here is a slow burn start, in the rear garden we’re still on phase two of the daffodils, ‘Tête-à-tête’ have gone over, double headed Thalia has opened, but a week or two yet before phase three, Pheasants eye, the last of our daffs, will start to unfurl and flower. A new addition to the garden is a delicate pale blue Muscari, valerie finnis, definitely a keeper.


In the front gardens perennials are starting to clump up. With no trees to shade it, the front catches the most sunlight. When we laid out the garden the decision was made to create three small areas, each bounded by stone dykes, rather than have one long and narrow space. With the sea only a couple of stone throws away it has worked well, the dykes giving shelter and just as importantly, trapping warmth. Of the plants we grow there, first out of the blocks is a Bleeding heart, dicentra formosa, a magnet for early flying bees, not far behind is Honesty, lunaria annua (pictured top), a useful pollinator that is left to self sow, popping up wherever it wants.


While the sun shone a pleasant task was to walk a mower over the meadow, not to cut the grass, that at this time of year has still yet to turn green, but to top off the rushes. They’re a lover of damp places and we’re lucky here to have a mix of soils. The meadow faces east, sloping gently to the shore, but the ground also undulates north to south, rising and falling like a gentle swell on the sea. High spots tend to be dry, low spots wet. The upside is that you can grow a wide variety of wildflowers, the downside is that the rushes, if left unchecked in the damper spots, will swamp out everything else. When I started to mow a pair of Greylags were grazing the yet to turn green grass. They tolerated me at first, walking away, head to one side, keeping an eye on me just in case I was following. As the mower got closer nerves got the better of them, taking to the wing and settling at the edge of the moor, honking and chuntering at the inconvenience of it all.

At the bottom of the meadow, where the ground levels out before falling to the shore, it is permanently wet, squelchy in even the driest of years. We planted a long thin coppice of grey leaved willow and with an excavator, also dug four ponds, three for ourselves, plus another for a like minded neighbour. At this time of year the willows are a picture, yet to come into leaf they’re clothed in yellow-green catkins.

The ponds are slowly starting to naturalise, well worth the worry and crossed fingers, that the sunk to its belly excavator, wouldn’t get stuck. As hoped, they’ve proved to be a draw for wildlife. Last week saw Curlew and Oystercatchers probing the muddy edges, the first Swallow was seen this week, soon they’ll skim the water, blue darts, drinking and hawking for insects. In the rough and never mown ground between the ponds and the shore, a pair of Mallards are nesting, ditto the Greylags who last year hatched a half dozen goslings. Herons are regular visitors but the highlight this week was a brief visit from a pair of Teal, the uk’s smallest native duck. A bird that gave its name to a shade of green.

Clear skies brought the mirrie dancers, they also brought moonlight and the moon will wash out all but the brightest aurora. An app that pings of a possible display also comes with the caveat of a rising moon spoiling the show. Most nights brought a faint glow of green and nothing else, but one night stood out, the aurora streaking high into the sky above the house. It’s impossible to correctly expose both the moon and an aurora in the same frame. One needs a fraction of a second exposure, the other many full seconds. In the photograph below the starburst top left is the moon. Setting a small aperture on the lens gave the starburst, the overexposed moon did the rest.


































































































